Showing posts with label Spain. Show all posts
Showing posts with label Spain. Show all posts

Sunday, September 12, 2010

Reasonable royalty or bubbles through a straw?

Ignacio Marques of the excellent Class 46 (which I understand meets this week in Berlin) reports that the Court of Appeals in Madrid has explored the concept of a “reasonable royalty” and how it can be calculated. According to his note:

"The case involved two Spanish companies acting in the field of alcoholic beverages, more specifically in the trade of “cava” (sparkling wine, but not to be confused with champagne!). The respondent was found liable of infringement as it misused the claimant’s 3D marks over a certain shape of a bottle. The Court ruled that, failing the claimant of a licensing policy (in fact, it has proven it never granted a license), it was admissible to construe a “reasonable royalty rate” consisting in the sum of three different parameters:

a) an “entrance fee” (calculated by the Court in Euro.- 40.000, whilst the expertise brought by claimant appraised it in Euro.- 150.000). It is interesting to note that respondent (infringer) unsuccessfully alleged that these types of fees are applicable to franchise agreements, but not to trademark licenses.
b) an annual fixed fee (calculated in Euro.- 12.000), plus
c) a variable annual fee over sales. "
There are not many cases that deal with the assessment of reasonable royalties in trade mark cases. Very often the assessment itself is too costly an exercise to undertake in relation to the value of the return. Brand owners also tend to accept the injunction and move on or otherwise trade "damages" during settlement negotiations for more favourable co-existence arrangements. In some jurisdictions, there is also the option of an account of profits. Consequently, this Spanish case is welcomed.

Right: Light headed - assessing royalties or bubbles through a straw?

Turning to the three "different parameters" and conceding that I may lose something in translation, that this may be an interim decision and also that the different parameters could be specific to this industry (and hence not capable of general application), the "entrance fee" is more familiar to me as a "signature fee" which is often described as payment for the privilege of the licence (by more arrogant licensors) but is often motivated as a payment for the benefit of joining as a licensee (eg marketing support, licensee networks etc).

Fixed annual fees sound more like a guaranteed minimum royalty and in some countries, like South Africa, are likely to be a stumbling block for getting exchange control approval for the remission of royalties and may render the agreement enforceable (see note here). The annual fee could also be linked to minimum sales targets.

The variable annual fee over sales is likely to be similar to a typical royalty rate over sales or FOB purchases. Whilst the principle of this "parameter" is easy to understand there is often much debate and significant importance over how the "sales" element is calculated. For example, does it include promotional give-aways, is it net of taxes, how does it deal with intra licensee supply sales etc. The actual rate may also create something of difficulty especially in this instance where the case deals with a 3d shape mark which may have little empirical support from benchmarking forums. It is also not clear whether the rate is exclusive and non exclusive but perhaps that is for a later inquiry affecting the parties.

Monday, January 5, 2009

Spanish court explains calculations in adidas award

In what is apparently the first occasion on which a Spanish court has given an explanation of the basis for its calculations, the Madrid Provincial Court this September awarded €1,829,969 to adidas for infringement of its well-known ‘three-stripe’ trade mark by D Matteo Jin and three corporate defendants.

In its claim adidas sought recovery of (i) its expenses incurred in investigating the infringement; (ii) loss of profit (this being said to be the price that the infringers would have paid in order to obtain a licence) and (iii) damages for injury to the reputation of its mark as a result of the infringement. As to loss of profits, adidas's expert witness calculated the hypothetical royalty that the defendants would have had to pay to adidas based on
  • a variable royalty (an average based on the total sales of infringing products) and
  • a minimum guaranteed royalty (to be paid regardless of the total sales of infringing products).
The court accepted adidas’s argument that a minimum guaranteed royalty should be granted to the trademark holder regardless of the total sales of infringing goods. Considering the factors identified by the expert witness to calculate the minimum guaranteed royalty were reasonable and technically well-founded, the court granted an annual minimum guaranteed royalty of €855,568 (ie, €1,711,136 for two years of infringement), though the issue of the variable royalty was not dealt with since the amount of sales by the defendants was unknown.

The court added that this compensation was separate, cumulative and compatible with other types of compensation set forth by the law. On this basis, with regard to the damage to the reputation of the mark a further sum of €112,398 was awarded.

Source: Leticia Lloret, Grau & Angulo, Madrid, writing for the World Trademark Review.

Monday, July 21, 2008

Trade mark auction resolves judicial dispute

Writing on the Class 46 European trade mark weblog, Ignacio Marqués describes a recent Spanish trade mark auction that was conducted by a court as a means of resolving a lengthy dispute between two joint owners of a trade mark that was a key asset of a jointly owned business. The mark, represented here, which is well known in Spain for dried fruits, fetched 7.12 million euro following bidding between the two brothers who owned the business. You can read about this auction here.

Sunday, May 25, 2008

Film finance: four case studies from Spain

Variety has published an article by Emiliano de Pablos, "Spanish film finance case studies: funding changes impact diverse projects", which briefly highlights the funding bases of the following projects:
* Stephen Soderburgh's two-film "Che Guevara" biopic;
* "Asterix at the Olympic Games", from Ciudad de los Rebates;
* Mediapro's "Suso's Tower";
* Lisandro Alonso's "Liverpool".
The article makes some mention of exploitation rights, together with some of the sums involved.